Do Record Labels Matter?
Today I listened to the latest podcast from NPR’s All Songs Considered. First of all, if you love indie rock you need to listen to this podcast. Every week. Well, not last week because Bjork was the guest DJ. This week’s episode was particularly great. The whole gang was there, making fun of each other’s musical tastes and discussing the importance (or non-importance) of record labels.
Being a music snob that I am, I certainly pay attention to record labels. When I was younger, I completely identified with Drive-Thru Records. New Found Glory, Finch, The Starting Line, Something Corporate, Senses Fail, Hidden in Plain View, Midtown, and even Dashboard Confessional. Virtually all the bands I listened to in High School were on that label. Now, I’ve moved on since the punk/emo/pop days…actually no I haven’t, but anyway, I’ve moved onto more folk/indie/female rock artists. Some labels I like to stick with are Victory (Bayside, Taking Back Sunday), Barsuk (Death Cab for Cutie), Merge (Telekinesis, Arcade Fire) ARTS AND CRAFTS! (Feist, Broken Social Scene, Amy Millan, Metric, Stars) Saddle Creek (Bright Eyes, Cursive, Tokyo Police Club, The Rural Alberta Advantage, Epitaph (punk rock, currently NFG and hopefully Bayside soon), Anti- (Neko Case) just to name a few.
Anyway, I was gonna go more into record labels, but I think the podcast and contributor Carrie Brownstein’s blog Monitor Mix pretty much covers it. I just wanted to share my favorite labels with all of you